Students of the Fairview International Schoool had a taste of the Dharma of sketching as taught by your truly. Due to the limited time, as they arrived late there was little that i could shove down their throats, but they were attentive.
Lime most who has an inherent fear of drawin or sketching on a blank piece of paper most did their best to squeeze in as as they can by working as tiny as possible and trying very hard to copy eaxactly what they see.
Siitng on the floor , bent over their works was not the most comfortable way to do the job needless to say but such is.
I believe that one's posture and placing onself in the best possible ang of one's choice to render a drawing is crucial for a good working habit when you draw especially if you know you will be spending a good amount of time in getting the job done.
This boy had the right idea when he got hold of the only available wooden box in the room to use as his low table. Most other students made no effort to move from their seats of make themselves comfortable for the task.
The students were genuinely in awe when I displayed my 100 feet long on going sketches and drawing of Georgetown which I had displayed for the purpose of showing the transition process from sketching into a colored painting on a single piece of artwork.
I feel that it is crucial for the instructo or art teacher to share his personal works with his students as this is one way one can inspire then or make them see what is possible to achieve.
This class was arranged by and held at the Museum Galleri Tuanku Fauziah at USM (MGTF) and this is one of the best activity that can bring to the younger generation to learn and appreciate art and meeting with a professional artist.
Teaching classes like these is also a boon for the artist as it helps the instructor to learn how to share his or her works and communicate it with others who are aspiring tobecome one themselves.
Other than teaching about the basics of drawing and sketching I also took them on a tour of the exhibitions that was on going at the Muzium. Most of the students asked simple questions about the works like the messy looking long piece of work hanging on the wall and most probably thinking it is not worth to be displayedas piece of art in a gallery of this stature. However when I asked them ot read all that written about the exhibition and discover how thw work was done and by whom, their view changed to a more positive and appreciative one.
I enjoyed the class and it was a good break from my daily routine of trying to get my own works done or wasting my time on the computer for lack of better things to do. It was a refreshing experience.
Incidentally while shopping for a canvass at the Nanyang art store i met two of my former students from the Equator Art Accademy and they asked why I stopped teaching there.
Students of the Fairview International Schoool had a taste of the Dharma of sketching as taught by your truly. Due to the limited time, as they arrived late there was little that i could shove down their throats, but they were attentive.
Lime most who has an inherent fear of drawin or sketching on a blank piece of paper most did their best to squeeze in as as they can by working as tiny as possible and trying very hard to copy eaxactly what they see.
Siitng on the floor , bent over their works was not the most comfortable way to do the job needless to say but such is.
I believe that one's posture and placing onself in the best possible ang of one's choice to render a drawing is crucial for a good working habit when you draw especially if you know you will be spending a good amount of time in getting the job done.
This boy had the right idea when he got hold of the only available wooden box in the room to use as his low table. Most other students made no effort to move from their seats of make themselves comfortable for the task.
The students were genuinely in awe when I displayed my 100 feet long on going sketches and drawing of Georgetown which I had displayed for the purpose of showing the transition process from sketching into a colored painting on a single piece of artwork.
I feel that it is crucial for the instructo or art teacher to share his personal works with his students as this is one way one can inspire then or make them see what is possible to achieve.
This class was arranged by and held at the Museum Galleri Tuanku Fauziah at USM (MGTF) and this is one of the best activity that can bring to the younger generation to learn and appreciate art and meeting with a professional artist.
Teaching classes like these is also a boon for the artist as it helps the instructor to learn how to share his or her works and communicate it with others who are aspiring tobecome one themselves.
Other than teaching about the basics of drawing and sketching I also took them on a tour of the exhibitions that was on going at the Muzium. Most of the students asked simple questions about the works like the messy looking long piece of work hanging on the wall and most probably thinking it is not worth to be displayedas piece of art in a gallery of this stature. However when I asked them ot read all that written about the exhibition and discover how thw work was done and by whom, their view changed to a more positive and appreciative one.
I enjoyed the class and it was a good break from my daily routine of trying to get my own works done or wasting my time on the computer for lack of better things to do. It was a refreshing experience.
Incidentally while shopping for a canvass at the Nanyang art store i met two of my former students from the Equator Art Accademy and they asked why I stopped teaching there.
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